Broward County Love Remix by Beastman and Epitaph E2DaP Records florida hip hop
September 27th, 2011
1 comment
This right here is a remix to the classic Pac & Dre song, “California Love”. Being the broward county natives that we are, we had to do this one up proper. Featured on our HC mixtape and upcoming label sampler, this track will be up for free download for all of yall to enjoy. Florida stand up!!! 954 in the house. Epitaph goes first, Beastman goes second. Feedback is definitely appreciated and make sure to spread that pompton love by thumbs up/liking the video and posting it for your homies to see. Lets make this broward’s new anthem!
Duration : 0:4:1
Categories: Florida Death Records 305, 561, 954, Awesome, Beastman, boca, broward county love, California Love, coral springs, davie, death rap, e2dap, e2dap records, epitaph, epitaph the mack, fau, Fort Lauderdale, funny, Gulf Coast, hardcore hip hop, hip-hop, Horrorcore, jordan corcos, margate, melbourne, miami, mixtape, New, Palm Beach, parkland, plantation, pompano, rap, rap music, rapcore, remix, sampler, song, south florida, sunrise, tamarac, the keys, um, Underground
dirt jumping in alaska
Strange Things You Likely
A game of Smash Brothers goes horribly wrong and leads to much death, destruction, and heroin jumpstart overdoses.
Jean-Baptiste Illinois Jacquet (October 31, 1922July 22, 2004) was a jazz tenor saxophonist most famous for his solo on “Flying Home”, recognized as the first R&B sax solo. Although he was a pioneer of the honking tenor sax that became a regular feature of jazz playing and a hallmark of early rock and roll, he was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use this instrument.Jacquet was born to a Sioux mother and a Creole father in Broussard, Louisiana and moved to Houston, Texas, as an infant. His father, Gilbert Jacquet, was a part-time band leader. As a child he performed in his father’s band, primarily on the alto saxophone. His older brother Russell Jacquet played trumpet and his brother Linton played drums. At 15, Jacquet began playing with the Milton Larkin Orchestra, a Houston-area dance band. In 1939, he moved to Los Angeles, California, where he met Nat King Cole. Jacquet would sit in with the trio on occasion. In 1940, Cole introduced Jacquet to Lionel Hampton who had returned to California and was putting together a big band. Hampton wanted to hire Jacquet, but asked the young Jacquet to switch to tenor sax. In 1942, at age 19, Jacquet soloed on the Hampton Orchestra’s recording of “Flying Home”, one of the very first times a honking tenor sax was heard on record. The record became a hit; a jazz classic as well as what can be considered one of the first rock and roll records. The song immediately became the climax for the live shows and Jacquet became exhausted from having to “bring down the house” every night. The solo was built to weave in and out of the arrangement and continued to be played by every saxophone player who followed Jacquet in the band, notably Arnett Cobb and Dexter Gordon, who achieved almost as much fame as Jacquet in playing it. It is one of the very few jazz solos to have been memorized and played very much the same way by everyone who played the song. He quit the Hampton band in 1943 and joined Cab Calloway’s Orchestra. Jacquet appeared with Cab Calloway’s band in Lena Horne’s movie Stormy Weather. In 1944 he returned to California and started a small band with his brother Russell and a young Charles Mingus. It was at this time that he appeared in the Academy Award-nominated short film Jammin’ the Blues with Lester Young. He also appeared at the first Jazz at the Philharmonic concert. In 1946 he moved to New York City and joined the Count Basie orchestra, replacing Lester Young. Jacquet continued to perform (mostly in Europe) in small groups through the 1960s and 1970s. Jacquet led the Illinois Jacquet Big Band from 1981 until his death. Jacquet became the first jazz musician to be an artist-in-residence at Harvard University in 1983. He played “C-Jam Blues” with President Bill Clinton on the White House lawn during Clinton’s inaugural ball in 1993. His solos of the early and mid-1940s and his performances at the Jazz at the Philharmonic concert series, greatly influenced rhythm and blues and rock and roll saxophone style, but also continue to be heard in jazz. His honking and screeching emphasized the lower and higher registers of the tenor saxophone. Despite a superficial rawness, the style is still heard in skilled jazz players like Arnett Cobb, who also became famous for playing “Flying Home” with Hampton, as well as Sonny Rollins, Eddie “Lockjaw” Davis and Jimmy Forrest.
This is the perfromance West High School’s “Dance Class” performed at lunch in the gym for Halloween. Sorry bout the quality of the vid, was using my camera to record it.
VIDEO 2 starts at 1:20 Video 3 starts at 2:10 — I put together three chronologically placed videos. The first is a raw interview with Shakespeare about his troubles after winning, the second is of the investigation and the last is the report from today.
Da Cleetus McBalla Show – #2
Imitating Mating Elephant Seals and their sounds funny comedy drama violence romance death murder (note the birds pecking for food at the carcasses of the dead baby seals – killed by a charging bull??)
Do You have a better name for this video? Cause i think it could be better…anyway schedule starts monday! SUBSCRIBE!
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