Death Records Now

Off Kurupt’s new cd “Streetlights”

Produced by Pete Rock

Directed By Fredo Tovar & Scott Fleishman for APLUSFILMZ

Duration : 0:4:41

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Peter “Pete” Johnson (1904 – 1967)

“Death Ray Boogie”

Pete Johnson was one of the three great boogie-woogie pianists (along with Albert Ammons and Meade Lux Lewis) whose sudden prominence in the late ’30s helped make the style very popular. Originally a drummer, Johnson switched to piano in 1922. He was part of the Kansas City scene in the 1920s and ’30s, often accompanying singer Big Joe Turner. Producer John Hammond discovered him in 1936 and got him to play at the Famous Door in New York. After taking part in Hammond’s 1938 Spirituals to Swing Carnegie Hall concert in 1938, Johnson started recording regularly and appeared on an occasional basis with Ammons and Lewis as the Boogie Woogie Trio. He also backed Turner on some classic records. Johnson recorded often in the 1940s and spent much of 1947-1949 based in Los Angeles. He moved to Buffalo in 1950 and, other than an appearance at the 1958 Newport Jazz Festival, he was in obscurity for much of the decade. A stroke later in 1958 left him partly paralyzed. Johnson made one final appearance at John Hammond’s January 1967 Spirituals to Swing concert, playing the right hand on a version of “Roll ‘Em Pete” two months before his death.

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Duration : 0:3:1

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Known as one of the pioneering bands of the death metal genre, Morbid Angel are also the first death metal band to have a significant commercial success, selling over a million albums throughout their career. This is due in part to them also being the first death metal band to get signed to a major record label, Giant Records, in association with Warner Brothers Records.

Morbid Angel was formed in 1983 in Tampa, Florida. The band made their vinyl debut in 1987 on New Renaissance Records. They recorded their debut album, Abominations of Desolation, in 1986, but the band was unsatisfied with the final product and it remained unreleased until 1991. Their first proper studio album, Altars of Madness, was released in 1989.
Morbid Angel was one of the original death metal bands signed to Earache Records, and was also influential in the transition of death metal from its thrash metal roots to its current form by adding guttural vocals, up-tempo blast beats, incorporating atonality in guitar soloing, and dark, chunky, mid paced rhythms. They were also the first death metal band to have a touch of mainstream success, such as being signed to Giant Records in 1992 and having the music video for the song “God of Emptiness” shown on an episode of Beavis and Butthead.
The band’s original lyrical themes focused mostly on Satanism, paganism and anti-Christian subject matter, but from their second album, Blessed Are the Sick onward, the lyrics slowly moved toward the ancient Sumerian gods, though much of this is a nod to the Simon Necronomicon, which was influenced by Sumerian mythology as well as the author H. P. Lovecraft as well as a fascination with the Roman Empire, though “anti-christian” elements continue to permeate the lyrics. Their albums are notable for being released in alphabetical order (their first album starts with the letter A, the second with B, etc.). Guitarist Trey Azagthoth has said in an interview that it was at first a coincidence with the first albums

Duration : 0:4:23

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