Copyright 1995 Interscope, Death Row Records,
From the Album : All Eyez On Me (1996),
U.S. Billboard Hot 100 Chart : #1
Official and High Quality Music Video
Duration : 0:7:8
DEATH ANGEL on CAPITAL CHAOS 2008 @ The Boardwalk~Orangevale, CA 5/28/2008 also on the bill were GOD FORBID, SOILENT GREEN & LIGHT THIS CITY Death Angel, formed in 1982, is a Filipino-American thrash metal band from Concord, California. Death Angel broke up in 1991, but reformed at the Thrash of the Titans benefit concert for Chuck Billy in 2001. http://www.myspace.com/deathangel
Death Angel was formed in San Francisco, California, in 1982 by Rob Cavestany (lead guitar), Dennis Pepa (Bass guitar, vox) and Gus Pepa (rhythm guitar), and Andy Galeon (drums), who are all cousins. After considering a number of different names for the band, including “Dark Fury,” Cavestany and D. Pepa settled on the name “Death Angel” after coming across a book by that title in a book store. In 1983, the band released its first demo, Heavy Metal Insanity, with Matt Wallace serving as producer. According to Mark Osegueda, the group was then “more like a metal band, more like Iron Maiden, Tygers Of Pan Tang and stuff like that,” as the so-called Bay Area thrash movement was only just beginning to rise to prominence at the time, and make its influence felt. Osegueda, a second cousin of the other four members who had been working as their roadie, became the group’s vocalist in 1984 and performed his first show with the band on a bill with Megadeth in April of that year (at one of the four Megadeth gigs to feature Kerry King on guitar).
http://www.deathangel.com/home.cfm
Death Angel continued to play club gigs in and around the San Francisco Bay area for nearly 2 years, writing songs and refining their stage show. In 1986, the band recorded the Kill As One demo with Metallica’s Kirk Hammett (whom they had met at a record store signing in 1983) as producer. Due to the underground tape trading wave of the early 1980s, the demo was distributed extensively and brought the band to the attention of a still-wider audience; Osegueda later recalled that prior to the release of the band’s first album, “we were playing in L.A. and New York, and the crowd was singing our songs, because there was this underground tape trading….That’s what keeps it alive, and I think that’s absolutely wonderful.”
http://www.metal-archives.com/band.php?id=179
The success of Kill As One led to a record deal with Enigma Records, who released Death Angel’s debut album The Ultra-Violence in 1987. The band recorded The Ultra-Violence while its members were all still under 20 years old, and the album sold 40,000 copies in just one four-month period. A video was filmed for “Voracious Souls,” a song about a band of cannibals, but it never aired on MTV due to the nature of the lyrics. The group released the follow-up album Frolic Through The Park in 1988, which spawned the single “Bored”, the video for which did receive regular airplay on MTV’s Headbanger’s Ball. Frolic featured more diverse material than the straightforward thrash of the first album; the album included a cover of Kiss’s “Cold Gin,” and the relatively light, playful “Bored” was written under the seemingly unlikely influence of U2, and the guitar playing of The Edge in particular. The band toured worldwide for the first time and found notable success in Japan, selling out 2 full Japanese tours.
http://www.showmethesetlist.com/search2.php?artist=Death_Angel
Geffen Records bought out the band’s contract with Enigma Records in 1989 and released the third Death Angel album, Act III, in 1990. Produced by Max Norman (who had previously worked with Ozzy Osbourne and Megadeth), the album showcased the band’s newfound use of full-band backing vocals, while fusing elements of funk, thrash, and heavy metal with the use of acoustic guitars to give the album a varied feel, while staying true to the group’s heavy roots. The album featured the singles “Seemingly Endless Time” and “A Room with a View” (a ballad sung mostly by guitarist Rob Cavestany), and both songs also received airplay on Headbanger’s Ball, but a mainstream breakthrough still proved elusive. (The band released the “A Room with a View” video and single under the name “D.A.,” and Cavestany explained to a reporter at the time that he now found the band’s original name “restricting. The name Death Angel seems to imply hardcore thrash gloom-and-doom death metal, and we’re not like that at all. If I were presented with 10 records, and one of them was by a band called Death Angel, and I’d never heard of them, I’d stick that one on the bottom!”)
http://en.wikipedia.org/wiki/Death_Angel
5/29/2008 11:55pm
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Duration : 0:5:44
Now this is a true DEATH ROW BOMB right here! Who would it thought that “The King Of Pop” – Michael Jackson will ever team up with the notorious Death Row Records for some Pop/G-Funk crossover.. But IT’S REAL AND IT’S FUNKY! So read the full story below about the making of this dopeness and bump that in your system to the fullest!!!
In 1997 Tommy D Daugherty was hired by Michael Jackson’s team via Worlds End Management to produce a remix for ‘Is It Scary’. Sony gave him the acapella. The goal was for the remix to have the Death Row sound.
While Tommy D was working on the remix, 5 armed people burst into The Enterprise Studio in Burbank, CA. They tied him up along with the other 9 staff members and Carl ‘Butch’ Small, who was a percussionist at Death Row Records and then robbed all the synthesizers, drum machine and bass.
MJ’s team stayed quiet about this event because they didn’t want negative publicity. The next day Tommy D had a session planned with KoRn but didn’t have his equipment anymore. Snoop Dogg heard about the incident and gave Tommy D a $5000 check to help him. The remix was done on July 17, 1997 but was never released…
CREDITS:
Michael Jackson – Is It Scary (Death Row Remix)
Produced by Tommy D Daugherty & Carl ‘Butch’ Small
Recorded 7/17/97 at The Enterprise Studio, Burbank CA
1997 Death Row Records
R.I.P. Michael Jackson 1958-2009
R.I.P. Death Row Records 1991-2006
Duration : 0:4:18
1. We’ve never performed this operation before. At least, not successfully.
2. We don’t recommend this surgery for a person of your age.
3. This is strange.
4. Did you know you have a mole the size of Texas on your back?
5. How long has that area been swollen like that?
6. Hear that pop? Your knee isn’t supposed to do that.
7. Hear that click? Your jaw isn’t supposed to do that either.
8. We need to do another set of X-rays. Frankly, I don’t believe one person can have all those things wrong with them.
9. I could retire on all the surgeries you’re going to need.
10. I wouldn’t recommend you changing your medical insurance ever again in your lifetime with all of these conditions.
Here are ten actual tips of advice from a motorcycle accident lawyer to follow if you have been in an accident. You can also learn more about how to handle a personal injury in Ontario, or any city, by calling the Law Offices of R. Sebastian Gibson at any of the numbers which can be found on our website at http://www.SebastianGibsonLaw.com and learning how we can assist you.
Obviously, if you have had an accident, and you are reading all of this advice, it may have been a few hours since the accident. However, if you ever have another accident, or if it’s only been a few hours since you were hurt, here’s what you should do from the start.
First, take a look around and determine if you or anyone, are hurt. If so, taking steps like trying to prevent further injury or loss of blood are the most important thing you can do. Even if some other driver caused you to be injured, it’s just good manners to help the other driver if they are hurt. They may even be so thankful that they admit their fault to you. The worst thing you can do is get angry or start a fight.
Second, make sure everyone is safe from being injured further. If you are in the middle of traffic, and you are dizzy, sit down away from traffic. If your vehicle is a traffic hazard and you have accident warning devices like flares or triangles, put them out on the road to warn other drivers and get away from the car. Let the police an other emergency personnel investigate the scene with the vehicles in place and move them more safely at a later point.
Third, call the police. Accident reports are extremely helpful if the police will do such a report. Let the police know you are injured immediately. Answer the police questions honestly. But if you are dazed or confused, let them know you need medical treatment and answer only what you feel sure about. Remember, your statements can and will be used against you if you admit fault, and it will be too late and too fishy to later say you didn’t know what you were saying at the scene. Police know that your best recollection is immediately after an accident.
Fourth, get the other driver’s information including their names, addresses, driver’s license numbers, make and model of their vehicles, license plate numbers, and their insurance company name and policy number. If there are witnesses, get their names, addresses and telephone numbers as well. If the other driver makes any admissions of fault, write those down as well.
Fifth, if you have a camera on your cell phone or in the car and you aren’t too injured, take some photos of the vehicles and the scene. If you can’t do it right away, do it after you are released from the hospital.
Sixth, if you are hurt, obtain medical treatment. Don’t decline the ambulance or hospital examination to save your insurance company money or to be stoic. Take your valuables out of your car if you can and get checked out at the hospital. If you are not hurt, don’t get treatment you don’t need. However, remember, after an accident, you may feel a rush of adrenaline that causes you to only start feeling symptoms of pain a few hours later. If you have a health plan that requires you to obtain permission first, call them and find out where you are allowed to seek treatment.
Seventh, call a good motorcycle accident lawyer as soon as you have had your initial treatment, so the attorney can gather other important evidence and prevent the insurance company from taking advantage of you and obtaining such things as recorded statements that you feel fine, when many of your symptoms have yet to manifest themselves. A good motorcycle accident lawyer can save you from making a great deal of mistakes and can shoulder much of the hassle of knowing what to do about car repairs, car rentals, medical treatment, witness statements and the like. If you think you will save money by not having an attorney, think again. A good motorcycle accident lawyer can almost always obtain much higher settlements, obtain reductions of medical bills and insurance liens and prevent you from making costly mistakes. Also, most motorcycle accident attorneys advance costs of obtaining police reports, medical records and the like and are paid and reimbursed for these costs only out of any settlement.
Eight, you will need to report the accident to your insurance company, but since they will want to take a recorded statement from you, just like any other driver’s insurance company, it’s good advice to retain an attorney first. And if the other driver did not have insurance, remember that it is your own insurance company that will be your adversary. You will also need to report the accident to the Department of Motor Vehicles and your lawyer can give you the form for this.
Ninth, do not agree to settle your claim privately with the person at fault for the accident. This almost never works out to your advantage. Don’t agree not to call the police. Police reports that determine the fault for an accident are golden. Your agreement to not involve the police only affords an opportunity for the other driver to change his story and blame you when the police will no longer investigate the accident.
Tenth, don’t pay a traffic ticket without a fight if you weren’t at fault or agree to accept a small payment for your vehicle repairs without knowing that the amount will in fact cover the cost of all the repairs.
If you’ve had a motorcycle accident in Ontario, Rancho Cucamonga, Corona, Temecula, Murrieta, Riverside, San Bernardino, Moreno Valley, Fontana, Palmdale, Victorville, Hesperia, or anywhere in Southern California, we have the knowledge and resources to be your Rancho Cucamonga Motorcycle Accident Lawyer and your Ontario Motorcycle Accident Attorney. Be sure to hire a California law firm with auto, motorcycle, truck, bicycle, pedestrian, car, bus, train, boat and airplane accident experience, wrongful death experience and insurance law expertise who can ensure you are properly represented and get the compensation you deserve.
If you have a personal injury legal matter, a dog bite or if you’ve lost a loved one in a wrongful death accident, call the Law Offices of R. Sebastian Gibson, or visit our website at http://www.SebastianGibsonLaw.com and learn how we can assist you.
R. Sebastian Gibson
The Shangri-Las were an American pop girl group of the 1960s.
Between 1964 and 1966 they charted with often heartbreaking teen melodramas, and remain known for “Leader of the Pack” and “Remember (Walkin’ in the Sand)”.
In April 1964, when the girls were still minors, their parents signed with Red Bird Records; Mary was 15, Betty was 17, and the Ganser twins 16. Having been hired by record producer George “Shadow” Morton, they had their first success with the summer hit, “Remember (Walking in the Sand)” (U.S. #5, UK #14). Billy Joel, a then-unknown working as a session musician, played on the demo of “Remember (Walkin’ In The Sand)”.[4] The demo was nearly seven minutes long, too long for Top 40 radio. Morton had hired the group to perform on the demo, but Red Bird released a re-recorded version. Morton faded the new version out around 2:16.
The recordings for Morton featured lavish production with heavy orchestration and sound effects, and their next and biggest hit, “Leader of the Pack” (U.S. #1, UK #11), climaxes with roaring motorcycles and breaking glass. UK re-issues peaked at 3 in 1972 and 7 in 1976. The song epitomized the “death disc”; other examples include Ray Peterson’s “Tell Laura I Love Her”, Jan and Dean’s “Dead Man’s Curve”, J Frank Wilson and the Cavaliers’s “Last Kiss,” and Twinkle’s “Terry”.
By the end of 1964 the group was an established act. They performed with the Beatles, toured with R&B artists such as The Drifters and James Brown (who, according to Mary Weiss, was surprised to discover the girls were white), and Cashbox magazine listed them as best new R&B group. They also promoted Revlon cosmetics. In March 1965 they toured the UK with Dusty Springfield and The Zombies.[Because Betty did not tour until 1966, and because she often did not appear in photos, many fans believed the Shangri-Las were a trio.
The group alternated between touring with their own band and local bands. Among the latter were the Sonics, as well as the Iguanas, featuring a young Iggy Pop.
The Shop Assistants were an indie pop band from Edinburgh, Scotland, formed in 1984, initially as Buba & The Shop Assistants. The original line-up was Aggi (Annabel Wright, later of The Pastels), on vocals, David Keegan (guitar), Sarah Kneale (bass), Laura MacPhail (drums) and Ann Donald (drums). This line-up released one single, the now highly-collectible ‘Something to Do’ which was produced by Stephen Pastel. Stephen Pastel also contributed backing vocals.
Aggi left to be replaced by Alex Taylor. Soon after, the name shortened to simply ‘Shop Assistants’ and the first release under their new name was the Shopping Parade EP in 1985 on The Subway Organization, whose track All Day Long was described by Morrissey as his favourite single of that year. Ann Donald left round about November 1985 and was briefly replaced by Joan Bride (possibly a pseudonym!). Shopping Parade was followed in early 1986 with Safety Net, the first release on Keegan’s 53rd & 3rd Records, which topped the UK Indie Chart, and the band recorded a national radio session with Janice Long and a second John Peel session, both of BBC’s Radio One. The exposure they gained from the sessions enabled the group to have two songs to be voted into John Peel’s Festive Fifty in both 1985 and 1986.
In 1986, they were featured on the NME’s compilation C86 with one of their slower songs, It’s Up To You, taken from Shopping Parade EP. Also in that year, they signed to Chrysalis Records’s sublabel Blue Guitar for another single, I Don’t Wanna Be Friends With You as well as their first and only LP album, The Shop Assistants. This spent one week at number 100 in the UK album charts, which gives the band the distinction of being the (joint) least successful act ever to hit the national charts. The LP album was re-released on CD in 2001, although it is now very hard to find.
The band split early in 1987, when Taylor left the group to join The Motorcycle Boy. After a two-year hiatus, the band reformed without Taylor in 1989 with Kneale on vocals and MacPhail on bass and the addition of Margarita Vasquez-Ponte of Jesse Garon And The Desperadoes on drums. With the new lineup they released Here It Comes and Big ‘E’ Power in 1990 before splitting again, Keegan joining The Pastels.
Duration : 0:3:42
This is Low’s first video in a series they’ll be creating for songs from their album Drums and Guns on Sub Pop Records, more videos from the album are to come.
Duration : 0:3:8
DEATH ANGEL interview with MARK OSEGUEDA on CAPITAL CHAOS 2008 @ The Boardwalk~Orangevale, CA 5/28/2008
Death Angel is a Filipino-American thrash metal band from Concord, California. Initially active from 1982 to 1991, the band reformed at the Thrash of the Titans benefit concert for Chuck Billy in 2001.
Death Angel was formed in San Francisco, California, in 1982 by cousins Rob Cavestany (lead guitar), Dennis Pepa (vocals, bass), Gus Pepa (rhythm guitar), and Andy Galeon (drums). After considering a number of different names for the band, including “Dark Fury,” Cavestany and D. Pepa settled on the name “Death Angel” after coming across a book by that title in a book store. In 1983, the band released their first demo, Heavy Metal Insanity, with Matt Wallace serving as producer. According to Mark Osegueda, the group was then “more like a metal band, more like Iron Maiden, Tygers Of Pan Tang and stuff like that,” as the so-called Bay Area thrash movement was only just beginning to rise to prominence at the time, and make its influence felt. Osegueda, a second cousin of the other four members who had been working as their roadie, became the group’s vocalist in 1984 and performed his first show with the band on a bill with Megadeth in April of that year (at one of the four Megadeth gigs to feature Kerry King on guitar).
http://www.deathangel.com/
Death Angel continued to play club gigs in and around the San Francisco Bay area for nearly 2 years, writing songs and refining their stage show. In 1986, the band recorded the Kill As One demo with Metallica’s Kirk Hammett (whom they had met at a record store signing in 1983) as producer. Due to the underground tape trading wave of the early 1980s, the demo was distributed extensively and brought the band to the attention of a still-wider audience; Osegueda later recalled that prior to the release of the band’s first album, “we were playing in L.A. and New York, and the crowd was singing our songs, because there was this underground tape trading….That’s what keeps it alive, and I think that’s absolutely wonderful.
http://www.myspace.com/deathangel
The success of Kill As One led to a record deal with Enigma Records, who released Death Angel’s debut album, The Ultra-Violence, in 1987. The band recorded the album when all the band members were still under 20 years old, and the album sold 40,000 copies in just four months. A video was filmed for “Voracious Souls,” a song about a band of cannibals, but it never aired on MTV due to the nature of the lyrics. The group released the follow-up album Frolic Through The Park in 1988, which spawned the single “Bored” (which was also used in the 1990 movie Leatherface: The Texas Chainsaw Massacre III), the video for which did receive regular airplay on MTV’s Headbanger’s Ball. Frolic featured more diverse material than the straightforward thrash of the first album; the album included a cover of Kiss’s “Cold Gin,” and the relatively light, playful “Bored” was written under the seemingly unlikely influence of U2, and the guitar playing of The Edge in particular. The band toured worldwide for the first time and found notable success in Japan, selling out 2 full Japanese tours.
http://en.wikipedia.org/wiki/Death_Angel
Duration : 0:5:1
Off the EP “Nothing New” from New School Records!, ex Tooth & Nail artist Off The Record delivers pop fueled harmonic california punk the way only they can. Available at www.newschooldistribution.com, www.interpunk.com, www.smartpunk.com, Tower Records, Music Millenium, Hot Topic, and other fine stores. If your local record store isnt carrying the New School Records catalog, get them to order it!
Duration : 0:3:23
2Pac- California Love (ft. Dr.Dre and Snoop Dogg)
R.I.P Tupac
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