Death Records Now

Now this is a true DEATH ROW BOMB right here! Who would it thought that “The King Of Pop” – Michael Jackson will ever team up with the notorious Death Row Records for some Pop/G-Funk crossover.. But IT’S REAL AND IT’S FUNKY! So read the full story below about the making of this dopeness and bump that in your system to the fullest!!!

In 1997 Tommy D Daugherty was hired by Michael Jackson’s team via Worlds End Management to produce a remix for ‘Is It Scary’. Sony gave him the acapella. The goal was for the remix to have the Death Row sound.
While Tommy D was working on the remix, 5 armed people burst into The Enterprise Studio in Burbank, CA. They tied him up along with the other 9 staff members and Carl ‘Butch’ Small, who was a percussionist at Death Row Records and then robbed all the synthesizers, drum machine and bass.
MJ’s team stayed quiet about this event because they didn’t want negative publicity. The next day Tommy D had a session planned with KoRn but didn’t have his equipment anymore. Snoop Dogg heard about the incident and gave Tommy D a $5000 check to help him. The remix was done on July 17, 1997 but was never released…

CREDITS:

Michael Jackson – Is It Scary (Death Row Remix)
Produced by Tommy D Daugherty & Carl ‘Butch’ Small
Recorded 7/17/97 at The Enterprise Studio, Burbank CA
1997 Death Row Records

R.I.P. Michael Jackson 1958-2009
R.I.P. Death Row Records 1991-2006

Duration : 0:4:18

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Tupac’s Interview about the Beef with Bad Boy Records

I always say this beef wasn’t meant to be Pac over reacted at 1994 when he got shot he didn’t know who to trust. BIG and Pac should have sat down and talked about it,to squash this beef. But What can you do?

Dto Da Z Productions
Drazan aka Drazo
Please say your oppinion on this beef in the comments.

The East CoastWest Coast hip hop rivalry was a feud in the early-mid 1990s between artists and fans of the East Coast and West Coast hip-hop scenes. Seeming focal points of the feud were West Coast-based rapper 2Pac (and his label, Death Row Records), and East Coast-based rapper The Notorious B.I.G. (and his label, Bad Boy Records).

Death Row vs. Bad Boy

Any hip-hop artists out there who wants to be an artist and stay a star, and dont wanna have to worry about the executive producer trying to be all in the videos, all on the records, dancing Come to Death Row! — Suge Knight at The 1995 Source Awards

2Pac vs. The Notorious B.I.G.
2Pac
Who shot me? But ya punks didnt finish, Now ya bout to feel the wrath of a menace Nigga, I hit em up.

B.I.G
Who shot Ya? Separate the weak from the obsolete, hard to creep them Brooklyn streets, Its on nigga, f*ck all that bickering beef.

From late 1995 into early 1996, 2Pac would appear on numerous tracks aiming threatening and/or antagonistic slants at Biggie, Bad Boy as a label, and anyone affiliated with them. During this time, although Biggie never directly responded, the media became heavily involved and dubbed the rivalry a coastal rap war, reporting on it continuously. This caused fans from both scenes to take sides with one set of The songs harsh content was viewed by detractors as Shakur having gone too far and taking the feud to another level. Although Biggie denies directly responding to 2Pac, many of B.I.G.’s songs can be speculated as being an answer to Shakur’s slurs.

Duration : 0:3:31

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