Death Records Now

Wrongful conviction isn’t an epidemic that is new to our country. But through DNA evidence we’re learning how prevalent it is. From the University of Miami Innocent Project: Florida has one of the highest rates for wrongful convictions in the nation. Since 1973, over 24 Florida death row prisoners have been exonerated through the use of DNA and other scientific practices not available at the time they were convicted. But lack of DNA is not the only reason for wrongful convictions, false confidence in eye witness identification, improper police procedures and ineffective counsel can all add to a wrongful conviction.

Please visit www.freekelseysmom.com and http://raye-of-hope.org to find out more about wrongful convictions
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Duration : 0:4:51

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“California Love” is a hip hop song by 2Pac featuring Dr. Dre and Roger Troutman. The song was released as 2Pac’s comeback single upon his release from prison in 1995. A popular remix version of the song appeared on his 1996 double album All Eyez on Me. This is perhaps 2Pac’s best-known song and his most successful, reaching number one on the Billboard Hot 100 for two weeks (as a Double-A side single with “How Do U Want It”). The song was nominated for a posthumous Grammy Award as a Best Rap Solo Performance and Best Rap Performance by a Duo or Group (with Dr. Dre and Roger Troutman) in 1997. The song was actually written and performed by Roger Troutman in the Original Version of California Love, Tupac and Dr. Dre made a modern day version of the song.

The original version of the track was not available on any of Shakur’s studio albums, but it can now be found on Shakur’s compilation of Greatest Hits.

The tune was adapted from Joe Cocker’s song “Woman to Woman”, and “California knows how to party” lines listing Los Angeles County neighborhoods are sung by Roger Troutman. The vocals “In the City of Compton” and the other cities and “California knows how to party” is adapted from Ronnie Hudson and the Street People’s “West Coast Poplock”. The remix features sample from the song “Intimate Connection” by Kleeer written by Norman Durham and Woody Cunningham.

“California Love” was Shakur’s only entry on Rolling Stone’s 2004 list of the 500 Greatest Songs of All Time, ranked #346 and #51 on VH1’s countdown of the 100 Greatest songs of the 90s.
(C) Death Row Records

Duration : 0:6:49

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Buck Billo and Maxi have some with the Johnny Horton tune about the final battle of the War of 1812.
Although he had a regular job on the Hayride, Horton’s recording career was going nowhere — none of his Mercury records were selling, and rock & roll was beginning to overtake country’s share of the market place. Horton’s fortunes changed in the latter half of 1955, when he hired Webb Pierce’s manager Tillman Franks as his own manager and quit Mercury Records. Franks had Pierce help him secure a contract for Horton with Columbia Records by the end of 1955. The change in record labels breathed life into Horton’s career. At his first Columbia session, he cut “Honky Tonk Man,” his first single for the label and one that would eventually become a honky tonk classic. By the spring of 1956, the song had reached the country Top Ten and Horton was well on his way to becoming a star.

“Honky Tonk Man” was edgy enough to have Horton grouped in on the more country-oriented side of rockabilly. Wearing a large cowboy hat to hide his receding hairline, he became a popular concert attraction and racked up three more hit singles — “I’m a One-Woman Man” (number seven), “I’m Coming Home” (number 11), “The Woman I Need” (number nine) — in the next year. However, the hits dried up just as quickly as they arrived; for the latter half of 1957 and 1958, he didn’t hit the charts at all. Horton responded by cutting some rockabilly, which was beginning to fall out of favor by the time his singles were released.

In the fall of 1958, he bounced back with the Top Ten “All Grown Up,” but it wasn’t until the ballad “When It’s Springtime in Alaska (It’s Forty Below)” hit the charts in early 1959 that he achieved a comeback. The song fit neatly into the folk-based story songs that were becoming popular in the late ’50s, and it climbed all the way to number one. Its success inspired his next single, “The Battle of New Orleans.” Taken from a 1958 Jimmie Driftwood album, the song was a historical saga song like “When It’s Springtime in Alaska,” but it was far more humorous. It was also far more successful, topping the country charts for ten weeks and crossing over into the pop charts, where it was number one for six weeks. After the back-to-back number one successes of “When It’s Spring Time in Alaska” and “The Battle of New Orleans,” Horton concentrated solely on folky saga songs. “Johnny Reb” became a Top Ten hit in the fall of 1959, and “Sink the Bismarck” was a Top Ten hit in the spring of 1960, followed by the number one hit “North to Alaska” in the fall of 1960.

Around the time of “North to Alaska”‘s November release, Horton claimed that he was getting premonitions of an early death. Sadly, his premonitions came true. On November 4, 1960, he suffered a car crash driving home to Shreveport after a concert in Austin, TX. Horton was still alive after the wreck, but he died on the way to the hospital; the other passengers in his car had severe injuries, but they survived. Although he died early in his career, Horton left behind a recorded legacy that proved to be quite influential. Artists like George Jones and Dwight Yoakam have covered his songs, and echoes of Horton’s music can still be heard in honky tonk and country-rock music well into the ’90s.

Duration : 0:3:38

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Buck Norris sings “One Woman Man” by Johnny Horton and later by George Jones.
At the end of 1951, Horton relocated from California to Shreveport, LA, where he became a regular on the Louisiana Hayride. However, Lousiana was filled with pitfalls — his first wife left him shortly after the move, and Robison severed all ties with Horton when he became Reeves’ manager. During 1952, Hank Williams rejoined the cast of the Hayride and became a kind of mentor for Horton. After Williams died on New Year’s Eve of 1952, Horton became close with his widow, Billie Jean; the couple married in September of 1953.

Although he had a regular job on the Hayride, Horton’s recording career was going nowhere — none of his Mercury records were selling, and rock & roll was beginning to overtake country’s share of the market place. Horton’s fortunes changed in the latter half of 1955, when he hired Webb Pierce’s manager Tillman Franks as his own manager and quit Mercury Records. Franks had Pierce help him secure a contract for Horton with Columbia Records by the end of 1955. The change in record labels breathed life into Horton’s career. At his first Columbia session, he cut “Honky Tonk Man,” his first single for the label and one that would eventually become a honky tonk classic. By the spring of 1956, the song had reached the country Top Ten and Horton was well on his way to becoming a star.

“Honky Tonk Man” was edgy enough to have Horton grouped in on the more country-oriented side of rockabilly. Wearing a large cowboy hat to hide his receding hairline, he became a popular concert attraction and racked up three more hit singles — “I’m a One-Woman Man” (number seven), “I’m Coming Home” (number 11), “The Woman I Need” (number nine) — in the next year. However, the hits dried up just as quickly as they arrived; for the latter half of 1957 and 1958, he didn’t hit the charts at all. Horton responded by cutting some rockabilly, which was beginning to fall out of favor by the time his singles were released.

In the fall of 1958, he bounced back with the Top Ten “All Grown Up,” but it wasn’t until the ballad “When It’s Springtime in Alaska (It’s Forty Below)” hit the charts in early 1959 that he achieved a comeback. The song fit neatly into the folk-based story songs that were becoming popular in the late ’50s, and it climbed all the way to number one. Its success inspired his next single, “The Battle of New Orleans.” Taken from a 1958 Jimmie Driftwood album, the song was a historical saga song like “When It’s Springtime in Alaska,” but it was far more humorous. It was also far more successful, topping the country charts for ten weeks and crossing over into the pop charts, where it was number one for six weeks. After the back-to-back number one successes of “When It’s Spring Time in Alaska” and “The Battle of New Orleans,” Horton concentrated solely on folky saga songs. “Johnny Reb” became a Top Ten hit in the fall of 1959, and “Sink the Bismarck” was a Top Ten hit in the spring of 1960, followed by the number one hit “North to Alaska” in the fall of 1960.

Around the time of “North to Alaska”‘s November release, Horton claimed that he was getting premonitions of an early death. Sadly, his premonitions came true. On November 4, 1960, he suffered a car crash driving home to Shreveport after a concert in Austin, TX. Horton was still alive after the wreck, but he died on the way to the hospital; the other passengers in his car had severe injuries, but they survived. Although he died early in his career, Horton left behind a recorded legacy that proved to be quite influential. Artists like George Jones and Dwight Yoakam have covered his songs, and echoes of Horton’s music can still be heard in honky tonk and country-rock music well into the ’90s. From www.Allmusic.com

Duration : 0:2:26

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Buck Norris sings “The Battle Of New Orleans” by Johnny Horton.
At the end of 1951, Horton relocated from California to Shreveport, LA, where he became a regular on the Louisiana Hayride. However, Lousiana was filled with pitfalls — his first wife left him shortly after the move, and Robison severed all ties with Horton when he became Reeves’ manager. During 1952, Hank Williams rejoined the cast of the Hayride and became a kind of mentor for Horton. After Williams died on New Year’s Eve of 1952, Horton became close with his widow, Billie Jean; the couple married in September of 1953.

Although he had a regular job on the Hayride, Horton’s recording career was going nowhere — none of his Mercury records were selling, and rock & roll was beginning to overtake country’s share of the market place. Horton’s fortunes changed in the latter half of 1955, when he hired Webb Pierce’s manager Tillman Franks as his own manager and quit Mercury Records. Franks had Pierce help him secure a contract for Horton with Columbia Records by the end of 1955. The change in record labels breathed life into Horton’s career. At his first Columbia session, he cut “Honky Tonk Man,” his first single for the label and one that would eventually become a honky tonk classic. By the spring of 1956, the song had reached the country Top Ten and Horton was well on his way to becoming a star.

“Honky Tonk Man” was edgy enough to have Horton grouped in on the more country-oriented side of rockabilly. Wearing a large cowboy hat to hide his receding hairline, he became a popular concert attraction and racked up three more hit singles — “I’m a One-Woman Man” (number seven), “I’m Coming Home” (number 11), “The Woman I Need” (number nine) — in the next year. However, the hits dried up just as quickly as they arrived; for the latter half of 1957 and 1958, he didn’t hit the charts at all. Horton responded by cutting some rockabilly, which was beginning to fall out of favor by the time his singles were released.

In the fall of 1958, he bounced back with the Top Ten “All Grown Up,” but it wasn’t until the ballad “When It’s Springtime in Alaska (It’s Forty Below)” hit the charts in early 1959 that he achieved a comeback. The song fit neatly into the folk-based story songs that were becoming popular in the late ’50s, and it climbed all the way to number one. Its success inspired his next single, “The Battle of New Orleans.” Taken from a 1958 Jimmie Driftwood album, the song was a historical saga song like “When It’s Springtime in Alaska,” but it was far more humorous. It was also far more successful, topping the country charts for ten weeks and crossing over into the pop charts, where it was number one for six weeks. After the back-to-back number one successes of “When It’s Spring Time in Alaska” and “The Battle of New Orleans,” Horton concentrated solely on folky saga songs. “Johnny Reb” became a Top Ten hit in the fall of 1959, and “Sink the Bismarck” was a Top Ten hit in the spring of 1960, followed by the number one hit “North to Alaska” in the fall of 1960.

Around the time of “North to Alaska”‘s November release, Horton claimed that he was getting premonitions of an early death. Sadly, his premonitions came true. On November 4, 1960, he suffered a car crash driving home to Shreveport after a concert in Austin, TX. Horton was still alive after the wreck, but he died on the way to the hospital; the other passengers in his car had severe injuries, but they survived. Although he died early in his career, Horton left behind a recorded legacy that proved to be quite influential. Artists like George Jones and Dwight Yoakam have covered his songs, and echoes of Horton’s music can still be heard in honky tonk and country-rock music well into the ’90s.

Duration : 0:2:51

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Buck Billo and Maxi sing “North To Alaska” by Johnny Horton.
The following year, Horton moved back to east Texas, where he entered a talent contest hosted by Jim Reeves, who was then an unknown vocalist. He won the contest, which encouraged him to pursue a career as a performer. Horton started out by playing talent contests throughout Texas, which is where he gained the attention of Fabor Robison, a music manager that was notorious for his incompetence and his scams. In early 1951, Robison became Horton’s manager and managed to secure him a recording contract with Corman Records. However, shortly after his signing, the label folded. Robison then founded his own label, Abbott Records, with the specific intent of recording Horton. None of these records had any chart success. During 1951, Horton began performing on various Los Angeles TV shows and hosted a radio show in Pasadena, where he performed under the name “the Singing Fisherman.” By early 1952, Robison had moved Horton to Mercury Records.

At the end of 1951, Horton relocated from California to Shreveport, LA, where he became a regular on the Louisiana Hayride. However, Lousiana was filled with pitfalls — his first wife left him shortly after the move, and Robison severed all ties with Horton when he became Reeves’ manager. During 1952, Hank Williams rejoined the cast of the Hayride and became a kind of mentor for Horton. After Williams died on New Year’s Eve of 1952, Horton became close with his widow, Billie Jean; the couple married in September of 1953.

Although he had a regular job on the Hayride, Horton’s recording career was going nowhere — none of his Mercury records were selling, and rock & roll was beginning to overtake country’s share of the market place. Horton’s fortunes changed in the latter half of 1955, when he hired Webb Pierce’s manager Tillman Franks as his own manager and quit Mercury Records. Franks had Pierce help him secure a contract for Horton with Columbia Records by the end of 1955. The change in record labels breathed life into Horton’s career. At his first Columbia session, he cut “Honky Tonk Man,” his first single for the label and one that would eventually become a honky tonk classic. By the spring of 1956, the song had reached the country Top Ten and Horton was well on his way to becoming a star.

“Honky Tonk Man” was edgy enough to have Horton grouped in on the more country-oriented side of rockabilly. Wearing a large cowboy hat to hide his receding hairline, he became a popular concert attraction and racked up three more hit singles — “I’m a One-Woman Man” (number seven), “I’m Coming Home” (number 11), “The Woman I Need” (number nine) — in the next year. However, the hits dried up just as quickly as they arrived; for the latter half of 1957 and 1958, he didn’t hit the charts at all. Horton responded by cutting some rockabilly, which was beginning to fall out of favor by the time his singles were released.

In the fall of 1958, he bounced back with the Top Ten “All Grown Up,” but it wasn’t until the ballad “When It’s Springtime in Alaska (It’s Forty Below)” hit the charts in early 1959 that he achieved a comeback. The song fit neatly into the folk-based story songs that were becoming popular in the late ’50s, and it climbed all the way to number one. Its success inspired his next single, “The Battle of New Orleans.” Taken from a 1958 Jimmie Driftwood album, the song was a historical saga song like “When It’s Springtime in Alaska,” but it was far more humorous. It was also far more successful, topping the country charts for ten weeks and crossing over into the pop charts, where it was number one for six weeks. After the back-to-back number one successes of “When It’s Spring Time in Alaska” and “The Battle of New Orleans,” Horton concentrated solely on folky saga songs. “Johnny Reb” became a Top Ten hit in the fall of 1959, and “Sink the Bismarck” was a Top Ten hit in the spring of 1960, followed by the number one hit “North to Alaska” in the fall of 1960.

Around the time of “North to Alaska”‘s November release, Horton claimed that he was getting premonitions of an early death. Sadly, his premonitions came true. On November 4, 1960, he suffered a car crash driving home to Shreveport after a concert in Austin, TX. Horton was still alive after the wreck, but he died on the way to the hospital; the other passengers in his car had severe injuries, but they survived. Although he died early in his career, Horton left behind a recorded legacy that proved to be quite influential. Artists like George Jones and Dwight Yoakam have covered his songs, and echoes of Horton’s music can still be heard in honky tonk and country-rock music well into the ’90s.

Duration : 0:3:55

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Counry Singer Johnny Horton singing about who might be the nation’s greatest president.

Johnny Horton had several top ten songs in the late 50’s and early 60’s and was on the verge of becoming one of the top stars of the 60’s when he met with tragedy.

He was born John Gale Horton in Los Angeles in 1925. He was raised in Tyler, Texas. Horton worked in the fishing industry in Alaska and California, and attended Seattle University. He worked for a while as a carpenter, and played basketball at Baylor University. He worked at a local radio station in East Texas and at the Hometown Jamboree in California. He did some recording with little success for the Abbott, Mercury, and Dot labels and picked up the nickname the Singing Fisherman. Horton became a regular on the Louisiana Hayride.

Johnny married Billie Jean Jones, the widow of country music legend Hank Williams. He sang country songs and signed a recording contract with Columbia, where he would achieve his greatest success. Some of his first hits included Honky Tonk Man, I’m A One-Woman Man in 1956, Coming Home in 1957 and All Grown Up in 1958. He topped the country charts in 1959 with When It’s Springtime In Alaska.

Johnny Horton then began to record a series of saga songs that crossed over to the pop charts. He covered Jimmy Driftwood’s The Battle Of New Orleans in 1959. The song topped the country charts and it reached number one on the pop charts, where it remained for a solid six weeks. The song was a tribute to the final battle of the War of 1812. He also recorded Sink The Bismarck in 1960, a song that was suggested by the film of the same title; it went top ten country and pop. Johnny Horton was a star. He sang the title song for the John Wayne movie North To Alaska and it too made the top ten in both charts during the same year.

On November 5, 1960, while North To Alaska was still climbing the charts, Horton was killed in an automobile accident in Milano, Texas following an appearance at the Skyliner in Austin. Following Horton’s death some of his earlier hit songs made the charts once again. Albums of his recordings were compiled and issued in the 50’s, 60’s, 70’s and 80’s, and they are still selling.

His biography was published in 1983 under the title Your Singing Fisherman, but it is very hard to find.

Duration : 0:1:58

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Buck sings “North To Alaska” by Johnny Horton.
Although he had a regular job on the Hayride, Horton’s recording career was going nowhere — none of his Mercury records were selling, and rock & roll was beginning to overtake country’s share of the market place. Horton’s fortunes changed in the latter half of 1955, when he hired Webb Pierce’s manager Tillman Franks as his own manager and quit Mercury Records. Franks had Pierce help him secure a contract for Horton with Columbia Records by the end of 1955. The change in record labels breathed life into Horton’s career. At his first Columbia session, he cut “Honky Tonk Man,” his first single for the label and one that would eventually become a honky tonk classic. By the spring of 1956, the song had reached the country Top Ten and Horton was well on his way to becoming a star.

“Honky Tonk Man” was edgy enough to have Horton grouped in on the more country-oriented side of rockabilly. Wearing a large cowboy hat to hide his receding hairline, he became a popular concert attraction and racked up three more hit singles — “I’m a One-Woman Man” (number seven), “I’m Coming Home” (number 11), “The Woman I Need” (number nine) — in the next year. However, the hits dried up just as quickly as they arrived; for the latter half of 1957 and 1958, he didn’t hit the charts at all. Horton responded by cutting some rockabilly, which was beginning to fall out of favor by the time his singles were released.

In the fall of 1958, he bounced back with the Top Ten “All Grown Up,” but it wasn’t until the ballad “When It’s Springtime in Alaska (It’s Forty Below)” hit the charts in early 1959 that he achieved a comeback. The song fit neatly into the folk-based story songs that were becoming popular in the late ’50s, and it climbed all the way to number one. Its success inspired his next single, “The Battle of New Orleans.” Taken from a 1958 Jimmie Driftwood album, the song was a historical saga song like “When It’s Springtime in Alaska,” but it was far more humorous. It was also far more successful, topping the country charts for ten weeks and crossing over into the pop charts, where it was number one for six weeks. After the back-to-back number one successes of “When It’s Spring Time in Alaska” and “The Battle of New Orleans,” Horton concentrated solely on folky saga songs. “Johnny Reb” became a Top Ten hit in the fall of 1959, and “Sink the Bismarck” was a Top Ten hit in the spring of 1960, followed by the number one hit “North to Alaska” in the fall of 1960.

Around the time of “North to Alaska”‘s November release, Horton claimed that he was getting premonitions of an early death. Sadly, his premonitions came true. On November 4, 1960, he suffered a car crash driving home to Shreveport after a concert in Austin, TX. Horton was still alive after the wreck, but he died on the way to the hospital; the other passengers in his car had severe injuries, but they survived. Although he died early in his career, Horton left behind a recorded legacy that proved to be quite influential. Artists like George Jones and Dwight Yoakam have covered his songs, and echoes of Horton’s music can still be heard in honky tonk and country-rock music well into the ’90s.

Duration : 0:3:23

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“Usted sabe que la historia de ellos es nuestra historia… la historia de los dos… con variantes pero es nuestra historia…” (La Apaurame dirigiéndose desde el inframundo de las ciudades al Paurake)

BIGFOOT

Big chief Big Foot,
Your Minneconjou band
Is mourned and remembered here
In South Dakota land.

Big Foot was an Indian chief
Of the Minneconjou band,
A band of Minneconjou Sioux
From South Dakota land.

Big Foot said to Custer,
“Stay away from Crazy Horse.”
But Custer crossed into Sioux land,
And he never came back across.

Then Big Foot led his people
To a place called Wounded Knee,
And they found themselves surrounded
By the 7th Cavalry.

Big chief Big Foot,
Rise up from your bed,
Minneconjou babies cry
For their mothers lying dead.

Big Foot was down with a fever
When he reached Wounded Knee;
And his people all were prisoners
Of the 7th Cavalry.

Two hundred women and children
And another hundred men
Raised up a white flag of peace,
But peace did not begin.

An accidental gunshot
And Big Foot was first to die;
And over the noise of the rifles
You could hear the babies cry.

Big chief Big Foot,
It’s good that you can’t see
Revenge is being wrought
By Custer’s 7th Cavalry.

Then smoke hung over the canyon
On that cold December day.
All was death and dying
Around where Big Foot lay.

Farther on up the canyon
Some had tried to run and hide;
But death showed no favorites,
Women, men, and children died.

One side called it a “massacre,”
The other a “victory,”
But the white flag is still waving
Today at Wounded Knee.

Big chief Big Foot,
Your Minneconjou band
Is mourned and remembered here
In South Dakota land.

Duration : 0:4:2

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