Motley Crue – Wild Side (live 1989) Kansas City
October 4th, 2011
10 comments
Motley Crue – Wild Side
11/21/89 @ Kansas City, Missouri
(Pro-shot) The Crue kickin’ in KC, Enjoy!
http://www.freewebs.com/bootlegdvdz/
Duration : 0:5:0
Categories: Kansas Death Records 1989, at, away, boys, city, crue, Devil, Don't, Dr., feelgood, Girls, Go, Heart, Heavy, home, hot, In, Kansas, kickstart, Kill, lee, live, looks, mad, mars, metal, mick, motley, My, neil, nikki, ol, rattlesnake, red, rock, room, same, shake, Shout, SIDE, situation, sixx, smokin, sweet, that, the, Tommy, tour, vince, wild, wire
The Metamucil Mulisha confronts the end of the riding season.
Mike Parsons (born March 3, 1965) is a surfer sponsored by the Billabong company who famously successfully surfed a 66-foot (22 meters) wave at Cortez Bank, CA in 2001, for which he was awarded $66,000, the highest prize ever awarded in the history of professional surfing. This money was awarded by the Billabong XXL competition which has run since 2001 paying tribute to the biggest waves ridden each year. This feat at Cortez Bank was popularised by the film Billabong Odyssey. Parsons is famous for a video clip of him riding a wave about 65 tall at Jaws, shot from a helicopter, that many believed was the biggest wave ever surfed. Parsons recently broke his record on January 5, 2008, at Cortez Bank, when he was photographed surfing a wave that the Billabong XXL judged to be 70+ feet, which should put him in the Guinness Book of World Records, officially, for biggest wave ever surfed. Unofficially the biggest wave ever surfed remains Ken Bradshaw’s wave at Log Cabins, Oahu on January 28, 1998, at over 80 feet.
Jean-Baptiste Illinois Jacquet (October 31, 1922July 22, 2004) was a jazz tenor saxophonist most famous for his solo on “Flying Home”, recognized as the first R&B sax solo. Although he was a pioneer of the honking tenor sax that became a regular feature of jazz playing and a hallmark of early rock and roll, he was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use this instrument.Jacquet was born to a Sioux mother and a Creole father in Broussard, Louisiana and moved to Houston, Texas, as an infant. His father, Gilbert Jacquet, was a part-time band leader. As a child he performed in his father’s band, primarily on the alto saxophone. His older brother Russell Jacquet played trumpet and his brother Linton played drums. At 15, Jacquet began playing with the Milton Larkin Orchestra, a Houston-area dance band. In 1939, he moved to Los Angeles, California, where he met Nat King Cole. Jacquet would sit in with the trio on occasion. In 1940, Cole introduced Jacquet to Lionel Hampton who had returned to California and was putting together a big band. Hampton wanted to hire Jacquet, but asked the young Jacquet to switch to tenor sax. In 1942, at age 19, Jacquet soloed on the Hampton Orchestra’s recording of “Flying Home”, one of the very first times a honking tenor sax was heard on record. The record became a hit; a jazz classic as well as what can be considered one of the first rock and roll records. The song immediately became the climax for the live shows and Jacquet became exhausted from having to “bring down the house” every night. The solo was built to weave in and out of the arrangement and continued to be played by every saxophone player who followed Jacquet in the band, notably Arnett Cobb and Dexter Gordon, who achieved almost as much fame as Jacquet in playing it. It is one of the very few jazz solos to have been memorized and played very much the same way by everyone who played the song. He quit the Hampton band in 1943 and joined Cab Calloway’s Orchestra. Jacquet appeared with Cab Calloway’s band in Lena Horne’s movie Stormy Weather. In 1944 he returned to California and started a small band with his brother Russell and a young Charles Mingus. It was at this time that he appeared in the Academy Award-nominated short film Jammin’ the Blues with Lester Young. He also appeared at the first Jazz at the Philharmonic concert. In 1946 he moved to New York City and joined the Count Basie orchestra, replacing Lester Young. Jacquet continued to perform (mostly in Europe) in small groups through the 1960s and 1970s. Jacquet led the Illinois Jacquet Big Band from 1981 until his death. Jacquet became the first jazz musician to be an artist-in-residence at Harvard University in 1983. He played “C-Jam Blues” with President Bill Clinton on the White House lawn during Clinton’s inaugural ball in 1993. His solos of the early and mid-1940s and his performances at the Jazz at the Philharmonic concert series, greatly influenced rhythm and blues and rock and roll saxophone style, but also continue to be heard in jazz. His honking and screeching emphasized the lower and higher registers of the tenor saxophone. Despite a superficial rawness, the style is still heard in skilled jazz players like Arnett Cobb, who also became famous for playing “Flying Home” with Hampton, as well as Sonny Rollins, Eddie “Lockjaw” Davis and Jimmy Forrest.
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