Dr. Paul McHugh takes an inside look at the records of the notorous late-abortionist. For more information on what is happening in Kansas go to www.womeninfluencingthenation.com
Duration : 0:7:55
A group of clergy in Kansas City this week criticized a local evangelist for attending a church rally this weekend in Uganda.
The country is considering legislation that would allow the death penalty for homosexuals.
The clergy group, called the Kansas City Coalition of Welcoming Congregations, urged Lou Engle, a co-founder of TheCall ministry based in Kansas City, not to spread a homophobic message.
“Engle is known for his message of God’s wrath and has a track record of referring to gay people as having demons,” according to a statement by the coalition.
Read more: http://www.kansascity.com/2010/04/30/1915317/local-evangelist-is-criticized.html#ixzz0mimb4SYh
No, Gay people are not posessed by Demons. Its just how the brain functions. If you want to put supernatural explanations on things that can be explained better with sciences, then go back to treating fevers with leeches, and phrenology.
The Shangri-Las were an American pop girl group of the 1960s.
Between 1964 and 1966 they charted with often heartbreaking teen melodramas, and remain known for “Leader of the Pack” and “Remember (Walkin’ in the Sand)”.
In April 1964, when the girls were still minors, their parents signed with Red Bird Records; Mary was 15, Betty was 17, and the Ganser twins 16. Having been hired by record producer George “Shadow” Morton, they had their first success with the summer hit, “Remember (Walking in the Sand)” (U.S. #5, UK #14). Billy Joel, a then-unknown working as a session musician, played on the demo of “Remember (Walkin’ In The Sand)”.[4] The demo was nearly seven minutes long, too long for Top 40 radio. Morton had hired the group to perform on the demo, but Red Bird released a re-recorded version. Morton faded the new version out around 2:16.
The recordings for Morton featured lavish production with heavy orchestration and sound effects, and their next and biggest hit, “Leader of the Pack” (U.S. #1, UK #11), climaxes with roaring motorcycles and breaking glass. UK re-issues peaked at 3 in 1972 and 7 in 1976. The song epitomized the “death disc”; other examples include Ray Peterson’s “Tell Laura I Love Her”, Jan and Dean’s “Dead Man’s Curve”, J Frank Wilson and the Cavaliers’s “Last Kiss,” and Twinkle’s “Terry”.
By the end of 1964 the group was an established act. They performed with the Beatles, toured with R&B artists such as The Drifters and James Brown (who, according to Mary Weiss, was surprised to discover the girls were white), and Cashbox magazine listed them as best new R&B group. They also promoted Revlon cosmetics. In March 1965 they toured the UK with Dusty Springfield and The Zombies.[Because Betty did not tour until 1966, and because she often did not appear in photos, many fans believed the Shangri-Las were a trio.
The group alternated between touring with their own band and local bands. Among the latter were the Sonics, as well as the Iguanas, featuring a young Iggy Pop.
The Shop Assistants were an indie pop band from Edinburgh, Scotland, formed in 1984, initially as Buba & The Shop Assistants. The original line-up was Aggi (Annabel Wright, later of The Pastels), on vocals, David Keegan (guitar), Sarah Kneale (bass), Laura MacPhail (drums) and Ann Donald (drums). This line-up released one single, the now highly-collectible ‘Something to Do’ which was produced by Stephen Pastel. Stephen Pastel also contributed backing vocals.
Aggi left to be replaced by Alex Taylor. Soon after, the name shortened to simply ‘Shop Assistants’ and the first release under their new name was the Shopping Parade EP in 1985 on The Subway Organization, whose track All Day Long was described by Morrissey as his favourite single of that year. Ann Donald left round about November 1985 and was briefly replaced by Joan Bride (possibly a pseudonym!). Shopping Parade was followed in early 1986 with Safety Net, the first release on Keegan’s 53rd & 3rd Records, which topped the UK Indie Chart, and the band recorded a national radio session with Janice Long and a second John Peel session, both of BBC’s Radio One. The exposure they gained from the sessions enabled the group to have two songs to be voted into John Peel’s Festive Fifty in both 1985 and 1986.
In 1986, they were featured on the NME’s compilation C86 with one of their slower songs, It’s Up To You, taken from Shopping Parade EP. Also in that year, they signed to Chrysalis Records’s sublabel Blue Guitar for another single, I Don’t Wanna Be Friends With You as well as their first and only LP album, The Shop Assistants. This spent one week at number 100 in the UK album charts, which gives the band the distinction of being the (joint) least successful act ever to hit the national charts. The LP album was re-released on CD in 2001, although it is now very hard to find.
The band split early in 1987, when Taylor left the group to join The Motorcycle Boy. After a two-year hiatus, the band reformed without Taylor in 1989 with Kneale on vocals and MacPhail on bass and the addition of Margarita Vasquez-Ponte of Jesse Garon And The Desperadoes on drums. With the new lineup they released Here It Comes and Big ‘E’ Power in 1990 before splitting again, Keegan joining The Pastels.
Duration : 0:3:42
Peter “Pete” Johnson (1904 – 1967)
“Death Ray Boogie”
Pete Johnson was one of the three great boogie-woogie pianists (along with Albert Ammons and Meade Lux Lewis) whose sudden prominence in the late ’30s helped make the style very popular. Originally a drummer, Johnson switched to piano in 1922. He was part of the Kansas City scene in the 1920s and ’30s, often accompanying singer Big Joe Turner. Producer John Hammond discovered him in 1936 and got him to play at the Famous Door in New York. After taking part in Hammond’s 1938 Spirituals to Swing Carnegie Hall concert in 1938, Johnson started recording regularly and appeared on an occasional basis with Ammons and Lewis as the Boogie Woogie Trio. He also backed Turner on some classic records. Johnson recorded often in the 1940s and spent much of 1947-1949 based in Los Angeles. He moved to Buffalo in 1950 and, other than an appearance at the 1958 Newport Jazz Festival, he was in obscurity for much of the decade. A stroke later in 1958 left him partly paralyzed. Johnson made one final appearance at John Hammond’s January 1967 Spirituals to Swing concert, playing the right hand on a version of “Roll ‘Em Pete” two months before his death.
For more informations about “Pete” Johnson visit:
http://www.answers.com/topic/pete-johnson
Duration : 0:3:1
This is from UnCovered 2003-2005. This CD is from the official Bootleg series available on Ytsejam Records.
http://www.ytsejamrecords.com
1. Death On Two Legs (Queen) 3:49
2. Heart Of The Sunrise (Yes) 10:29
3. Heaven And (Black Sabbath) 6:19
4. Paradox (Kansas) 3:43
5. Mother Father (Journey) 5:32
6. Machine Messiah (Yes) 3:19
7. Since Ive Been Loving You (Led Zepplin) 6:49
8. Diary Of A Madman (Ozzy Osbourne) 5:59
9. Cemetary Gates (Pantera) 8:19
10. Wont Get Fooled Again (The Who) 10:06
Duration : 0:5:59
Here is another heater from the street savvy lyrical content of YOUNG PIT of TACOMA,WA with MADDFACE affiliates
Duration : 0:4:26
A game of Smash Brothers goes horribly wrong and leads to much death, destruction, and heroin jumpstart overdoses.
Contains a full cast of scrubs and sheep.
There’s so many inside jokes and one liners in this movie, that you have to watch all 10 sweet minutes to even begin to comprehend the insanity of this flick. Basically, Hatter said “get a camera!” and then we filmed on the spot with no idea what we were going to do.
Hilariously bad on purpose. Enjoy!
“Oh SHIT!”
Duration : 0:9:48
LYRICS:
Coming soon.
myspace.com/knivesexchanginghands
DISCLAIMER:
This song is by Knives Exchanging Hands and I have no part in making it. This song is owned by Tragic Hero Records and Knives Exchanging Hands and in no way do I take any credit for the music. I’m just uploading it so people can see it.
Duration : 0:4:41
Okay, so I would like you people to rate/describe/talk about my taste in music, and maybe tell me about some songs/artists you think I would like or should check out. Thanks!!!
Here are most of the artists in my itunes, the *’s are beside my favorites
Barenaked Ladies, Relient K, Adam Ant, Children of Bodom, No Doubt*, CAKE, Elvis Costello, Metallica*, Q-Town, Red Hot Chili Peppers*, Talking Heads, Dead or Alive, BB Brunes*, Franz Ferdinand*, The English Beat, Beck, Sam Roberts, La Roux, Family Force 5, Stand Out Riot, The Cat Empire*, Rick James, Manu Chao, Coeur de Pirate, A Fine Frenzy, Jars of Clay, Skillet, Incubus, Eminem, Sublime*, Death Cab for Cutie*, Five Star Affair, The Toasters, OneRepublic, The Flaming Lips, Gwen Stefani*, Justice, The White Stripes, Black Eyed Peas, Red, Helmut Fritz, Queens of the Stone Age, Les Fatals Picards, Streetlight Manifesto, Metric, Big D & the Kid’s Table, Dead Kennedy’s, Primus, Jet, tobyMac, Coheed and Cambria, The Hush Sound, The Ting Tings, Rilo Kiley, Hawthorne Heights, Hedley, Mustard Plug, The Killers, The Lonely Island, DC Talk, The Mighty Mighty Bosstones, Newsboys, The Trews, Switchfoot, Feist, MIKA, Taking Back Sunday, Superbus, David Usher, The Who, Coconut Records, Bon Jovi, Iron and Wine, Pitbull, Gym Class Heroes, Kat DeLuna, MxPx, Coldplay, Eve, Santogold, Squeeze*, Brand New, Bedouin Soundclash*, Plain White T’s, Dynamite Hack, Reel Big Fish, Vampire Weekend, All Time Low, The Shins, Wolfmother, Kansas, Journey, Pharrel, Natasja, Jay Z, The Morning Benders, Alicia Keys,
matt and kim – daylight
guarantee you’ll love it
or maybe… martha my dear by the beatles (im going limb on that one)
yugh.. vampire weekend
Music: “The First Single” – The Format – Elektra Records
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